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A Collector's Take: The mentality of collecting photo

The topic for this post was originally supposed to be on budgeting, but after seeing a screening of The Vinyl Frontier last night, I had something weighting heavily on my mind that was very much relevant to the topic I picked for my stint on A Collector's Take. If you missed it you can go check out my first one, which goes over the basics of being a multi-collector.

If you collect from a lot of different areas you probably have a very different perspective from a person who collects in one area. From my experience, many if not most of the vinyl collectors tend to just collect vinyl, and they have a drastically different viewpoint on what collecting should be about than, say, an action figure or PVC collector. This leads us to my discussion for today. What constitutes "real" collectible items, what makes something not valuable or a "sell out", and how do we label our figures and hobby? 

I am not overly concerned with the rarity of my figures. I do indeed have some very rare figures, but I bought them because I like how they look, not because of how few of them there were. For example, I have the Halloween Edition Pandara, which was a run of just 3. When I first saw him I knew I had to have him. And it was not because I saw that he was limited and suddenly decided that he was worth buying. He was adorable and spooky, and if anything the limited run number made me hesitant. With anything limited, there is the inevitable fear of not getting one.

 

However, the perspective of most of the artists and collectors in The Vinyl Frontier was the exact opposite. They liked limited. In fact, many explicitly stated that they wanted limited figures. Some even said that larger run numbers would upset them. This simply baffles me. I understand the appeal of having a rare figure, but I can't imagine being upset because a figure was not limited. That would be akin to not buying Momohime or Seena because there were "too many" of them.

 

However, this is a viewpoint that most of the vinyl community shares. There are of course exceptions, and probably many of them, but the overall mentality seems to be that limited = better.  As many of you know, I started out collecting vinyl exclusively, but I never shared this mindset. In fact, by the time I was really aware of it I had started collecting so many other things that it did not apply to me at all. Looking back, I think that this mentality was one of the reasons that I actually strayed away from vinyl a bit. After seeing people complain that an 8" Dunny run of 1500 was "too many" and that there should be a hundred because that would make it "more collectible" I was a bit fed up. 

Because my interactions with the vinyl community have become more limited, I had almost forgotten about what a real problem this is for the hobby. Because it is based on limited/exclusive merchandise, people are afraid to get into vinyl collecting because they feel that they won't be able to get things that they like. 

 

While I usually find this mentality annoying but easy to ignore, there was one moment in the film that really startled me into realizing how damaging this really is. They were talking about commercial toys that are produced in huge runs, and the image was of one of the Mattel MOTU figures. Which are limited figures. It's incredibly hard to get one the day it goes up. But to vinyl, there are still too many of them. They are not "valuable" or art because there are so many. Now I own a few figures from this line, and I find the judgment placed upon them to be incredibly arbitrary and strange. Vinyl as a community tends to think it is better than other collectibles (especially PVC and action figures) simply because they are more limited. 

For example, the dragon that Scareglow is riding in the above image cost me $10. To a lot of people that would make him not a "real collectible" because he was 1) cheap and 2) mass-produced (although almost every figure is mass-produced to a degree). I generally feel that collecting should be an accepting hobby. After all, we're all here because we love figures. And you have every right to like your toys better than other ones, but to simply pass judgment based on run numbers? That seems absurd. 

 

Now you might think that this is all fine and dandy because it is just what they think, but this mentality is stifling the industry. Look at what happened when Good Smile Company "re-released" Kaito in limited numbers. People were not happy because Kaito was limited, they were furious that they lost the opportunity to own this awesome figure. Even though I managed to get one, I was upset that so many people could not. Collectors deserve a chance to get figures that they want, and that chance should last longer than the 10 minutes that figures like Kaito (or most vinyl products) sell out in.

In vinyl, this is what people want. Some companies like Super7 have been going the other direction and are slowly increasing run numbers, but most companies are very much stuck in the limited = better mindset. And because of this, it is harder to expand. If you continue to make 200 of x product, you are only going to sell 200. Open runs are unheard of in vinyl, and I think that this is going to continue for a long, long time. Some figures, like Andrew Bell's red O-No Sushi, are made for years, which is commendable, but most sadly fall into the category of "produced one time and 200 made." 

 

In all honestly, I love a lot of vinyl figures. Vinyl makes up about half of my collection, and it has some incredible designs. But I also love PVC and plushes and many other areas of figure collecting. And while I (for the most part) love the communities for each of these, it is saddening to see an entire medium stifled by this drive for limited merchandise. And I find myself buying less and less vinyl as time goes on because it is just easier to obtain other figures. And not just new ones, but old figures too. You can find old, rare and unopened PVC for retail or less if you look hard enough, but good luck finding one of the rarer older 8" Dunnys for less than double retail. 

None of this means that The Vinyl Frontier was not a good movie. In fact it was a wonderful representation of the community and had some really interesting people in it (Jermaine Rogers is the shit, by the way), but the entire mentality runs throughout the film. It is generally accepted that vinyl is limited and rare, and I doubt any amount of arguing will change this. However, I would love to see some changes made, if not directly to the figures then to the mentality of collecting. While this may sound naive, I wish collectors could just be happy that other people get to share in the hobby and not resentful of increased run sizes or less rare items. Because to me, one of the best things about the hobby is the sharing and the community. There are few things more fun than opening a case of Dunnys with a group of people at a release party or writing a review of an amazing PVC figure. This shared aspect of collecting is a huge part of what makes it so addictive, and to see a community tear apart people just because they don't view toys the same way is a real shame. 

I am sure that many collectors, both of vinyl and other mediums, either feel the same way or have an entirely different opinion. So please let us know in the comments what your personal collecting mentality is! 


A Collector's Take: The mentality of collecting photo
A Collector's Take: The mentality of collecting photo
A Collector's Take: The mentality of collecting photo
A Collector's Take: The mentality of collecting photo
A Collector's Take: The mentality of collecting photo
A Collector's Take: The mentality of collecting photo


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Legacy Comments

For me exclusivity creates community

If everyone has the same stuff it's just not as fun to look af each others collection or post images online or even have blogs like this. Rarity makes it something to covet and swoon over. And the act of owning or finding it is like tagging the hone coming queen.
See,and for me, exclusivity in the way it is expressed in the current vinyl community alienates. I feel as if so much of it has drifted towards ego -- what I've got that you don't have. It's so deeply materialistic that it bugs me, and I think certain artists have started to adopt attitudes that seem unnecessary to me. In the end, I think collecting should be a thing we can all share and enjoy, not alienate others from.
I never liked limited items. The reason is because I'd rather be able to buy something at my own pace than at the pace of other collectors. It just makes it seem like some kind of full contact blood bath if you have to fight (figuratively) for a limited run item. Thats why Im not bothered much by Tamashi Web exclusive figures or those limited edition recolors. I just buy stuff that I think are nice to look at or intriguing from an engineering and design aspect.
I hate limited items! Being someone who doesn't have a way to get things other than ordering them online, I don't like getting my hopes up thinking I'm going to get something only to find out I'm number 201, and me owning this piece will never come to pass.

I've been thinking of getting into vinyl- I find Dunnys to be just... Super adorable, and I'd love to own a small collection of them. But if I'm going to get them, chances are, I'm going to stick to just buying blind box and being satisfied with what I get. I'm not getting into the game of worrying about owning a certain thing- and since I'm already not that concerned with it and more into my PVC collection anyway, then, it probably shouldn't be too hard.

I still want a Happy Labbit with the popsicle in its mouth, though. I wanted to assure I got that very one so I checked on eBay and indeed I would pay double the price to get it... But I don't want to take chances getting one I won't like... Augh, blind boxing can be a hassle too, it seems.
[quote]For me exclusivity creates community

If everyone has the same stuff it's just not as fun to look af each others collection or post images online or even have blogs like this. Rarity makes it something to covet and swoon over. And the act of owning or finding it is like tagging the hone coming queen.[/quote]

Derp, that's actually completely different than how I feel. Maybe I'm the freak of nature, here, but I just get jealous and resentful when I see people lording their collections over me when mine is so... Meager. I love my collection to bits, but seeing things I don't have but want, and having people say 'look what I have and you don't!' is spirit-breaking for me. Limited means I can never ever experience the joy you are experiencing with your figures. And in the end, isn't that better than "there were only 200 of this made and I have number 156, suck it?" It is to me.

I want people to be able to experience the same happiness I feel when I look at my collection... I'm not saying we should be able to get whatever we want, when we want, and I do think that making things completely un-limited or taking away limited quantities at all wouldn't ruin some of the fun in the hunt, but... At the end of the day, sharing the happiness to me is better than lording my ownership over someone else.
This is something that I forgot to put in the post, but I think that if everything was not limited, people would still have very different collections. There are literally hundreds, if not thousands of figures out there even in just vinyl. If KAWS was easy to get, not everyone would have every KAWS piece. In fact, I think if his figures were more common, they would not have such a stamp of prestige on them and if anything less people would own his stuff! Collections would be more varied in my opinion because there would be a much greater range of things for people to buy. If you look at collections on the KR boards, a lot of them DO have many of the same items. Everyone and their mom has the Hernandez 8", even though it sells for a lot more than retail now. And I think customs also make collections really unique. If you want limited, you can easily just collect customs which are usually runs of 1 but sometimes (for things like Huck's larger pieces) they are runs of 5-10. Way more limited than any Dunny! I certainly don't mean to suggest that customs or resin should be larger numbers, as these pieces really do deserve to be limited! I do know that some people collect customs almost exclusively, and their collections are some of the best to look at.

PVC is a really good example of how non-exclusive items do make collections more varied. If you look on MFC there are indeed figures that almost everyone has (like BRS!), but it is nearly impossible to find someone who has even 50% of the same items as you. Because everything (well almost everything) is available in larger numbers, people are able to pick and choose a lot more. Of course vinyl is a much smaller group (in part due to its limited nature) so I am not entirely sure if it would work the same way! ^^
It seems that the view here was to create a closed society. By having such a small number this would only enable 'chosen' to purchase items, to own items or have access to them you must be considered worthy and that can be controlled by prices or even to the point of who can get in on the pre-orders.

It is a view of people whom i have known who are part of the art community and having private showings where only selected are invited to both view and buy there art. This way it also increases the 'artists' stock to say that these group of individuals are buyers of there work.

If they are worried about what makes an item valuable, for most what makes a certain item valuable is more its appeal rather than its availability, while yes availability has it's play. We all know of that PVC was 'mass produced' but we missed on the pre-order and then at a convention or on eBay, we find that it now goes for double or even more of its cost. If people want it and regardless of the numbers, price will increase.

As closing, because i don't know how to close it, thanks for the article. I hope somehow i will be able to get to see the Vinyl Frontier down under. Looks to be a most fascinating watch.
Hrmm I guess since I dont collect vinyl my comments dont apply as much

but for anime character goods especially old ones.

which are rare due to their age and function

finding a rare figure or seeing one at a friends house is a real treat!

or seeing someone post images on web sites of their displays of figures i dont have is really a lot of fun to me
Damn I love collectiong. I've spent thousands of dollars over the decades collecting plastic things. Half the time I don't even know why I keep doing it. Figures are my #1 love, but I also collect statues, videogame systems, videogames, comicbooks, mangas, DVDs (before that VHS), animation cels, posters, trading cards, boardgames, & other various random nic-nacs such as shot glasses from colleges/universities or tourist souvenirs. I can't stop myself. It's a sick addiction!
I kinda disagree with you in when you talk about PVC's exclusivity. You see, in Kaito's case, he wasn't a limited release. He had been released years ago, and with a run big enough for the public of the time. However, new people entered the hobby and they wanted him, so the demand for him skyrocketed when he wasn't avaiable in the market anymore, since too much time had passed already. GSC didn't even have the obligation to re-release him, and it's understandable that they didn't want to flood the market with a release that was so old already.
The problem is, there were many sellers that bought many of them so they could resell them, so that's why he got sold out so fast. It isn't GSC's fault, really - I'm pretty sure their production was indeed good enough for the demand. If you look at Y!J Auctions you'll see that at least his auction price has gone down.

I don't really mind limiteds on the PVC world, since they're almost always just different colorways and even then their run is quite big. But the limited runs on the vinyl world are just ridiculous. A limited run of 200 items is understandable if you're a small artist and this is all you can offer, but this isn't the case most of the times. =/
I think the article missed one thing about the vinyl, and that's the view of it as art. Vinyl's impression to me is that it's a community that celebrates art and creativity. In the traditional sense, vinyl is counter to the mass-production nature of the toy industry. Artists made their canvas to be unique, almost to serve a single soul. You create more, the artist feels they lose their connection to that unique, single soul. Hence all the rage over having limited numbers. Any more, and the art is just another piece of hysteria fed to the masses.

With art, it's a celebrated piece of single perfection. To create more loses that perfection. Even though we're talking about vinyl toys, to its community, its art. The art world doesn't intend for everyone to collect its entirety of beauty. Same thing with vinyl as its scene is so deeply rooted in art collecting. Sure, you could have an amazing painting, but to its community and critics, unless its unique, it's crap.

The vinyl community as a whole was never interested in seeing itself expand. It wants to be a niche, super special club. The Taco Bell BellHeadz incident proved that. While it does suck that you may not get the piece that you want, that's the nature of the community. If art is mass-produced, its decried as fake art, as if it has to lose its identity to do so. Unfortunately, the same goes for vinyl.

There's a reason why vinyl has become associated with the term "Hipster Garbage." To be hipster is counter-culture, "if its popular, woe is me for I can no longer like it." To outsiders, it's arrogant and puts people off to the whole genre. As much as I would like to get into vinyl, its audience makes it near impossible for you to want to honestly like it. They WANT to be their own special club, and it's a damn shame they got their way.
You make vinyl collectors sound like pretentious dicks. I've never understood how anybody would associated limited with art, as any limit over one fails at the traditional definition. I guess this is probably the same crowd that buys crap like Kinkaids.

I've never really paid much attention to runs. They usually don't really mean anything, as the items are generally available anyway. Although I somewhat care for things if they're rarer, it's usually not just because they're rare. And although I do somtimes get annoyed at re-issued items, it's usually cases where I ended up having to pay a ton for them back before the reissue.

Most of the sameness amount Western collections is just because people end up buying so much. If everybody buys a ton, there's bound to be a lot of overlap. Plus, as others have already pointed out, if everything ever was completely available peoples' collections would probably look the most different although most people would have a few key items in common.
I did not include vinyl as art in this post not because I am missing some part of the argument, but because I honestly do not think it is valid to the point at hand. Just because there are thousands of Momohime does not make her less of a sculpture or "art." Vinyl does indeed have this viewpoint, as I mentioned in the article, that limited = better/art, but they are just.... wrong. Is monet less of an artist because his stuff is in every doctor's office across the country? No. Vinyl likes its exclusivity, but it is bad for growth.

I think that the vinyl community is not as arrogant as many people think it is. The "hipster bullshit" thing comes from their mentality, yes, but it is actually quite an open community. I ended up being a part of it very quickly, and not because I had rare figures or anything. While I do think the mentality is wrong, there are some truly amazing people in the vinyl community.
See, the people who want limited runs of vinyl toys usually aren't toy collectors - they're just hipsters who are collecting them for the "art" aspect and for the sake of owning something rare. People who collect vinyl because they like the aesthetics of the toys (without giving a damn about the artist behind them), from my experience, usually tend to prefer open runs.

As for Japanese figures, I see no reason for them to make limited runs of items that they know are going to be in-demand (say, Momohime or Black*Rock Shooter). If they're not sure how well items are going to sell (say, Nendoroid Usacots or Figuarts N Daguba Zeba), they should do a smaller run at first, then reissue it if there's sufficient demand.
My collector mentality goes pretty much as follows: it's there, I want it, I can afford it, I shall have it. I don't care if there's 1 or 1 million units of said item. If it appeals to me, I'll buy it and I'll happily display it. My figure collecting started out with resins, because back in the day PVCs just looked really cheap (and from a monetary standpoint, they were then). Now, PVCs can be the equal of any resins, and sadly the price point has risen accordingly, but I can happily collect them and show them off because they actually look like a quality item. And heck, if I could afford it, I'd buy 3 of each nendie that I own just so I can display them with each alternate face installed :P
I just grab things that I love when I can afford them. There have been limited run vinyl stuff that I've loved, but just never enough to try and go after them yet, I guess. I think my biggest accomplishment will always be my (once) factory-sealed 30/30 (from the Bravestarr cartoon... which wasn't very good, but 30/30 was awesome). Extremely rare, low production numbers... because no one wanted him. So 20 years later I picked him up, perfectly mint in a perfectly mint box, for $19.99. Did I want him because he was rare? Of course not. In fact, it annoyed me greatly and convinced me that I would never be able to afford him--particularly when someone at Botcon said he'd never seen on "in the wild". I was quite delighted, to put it lightly.

Er, there was a message here somewhere... It got lost, a bit. I don't particularly like the idea of limited runs for the sake of it, is what I was trying to say. Sometimes there are aspects that force it to happen, such as just plain not being wanted until 20 years later, or an artist doing a limited run because they kind of have to. Otherwise... I don't know, whatever people want, I guess. All I can say is how excessively annoyed I am that it took me so long to track down a legit Static Arts Sebastian Michaelis.
[quote]
There's a reason why vinyl has become associated with the term "Hipster Garbage." To be hipster is counter-culture, "if its popular, woe is me for I can no longer like it." To outsiders, it's arrogant and puts people off to the whole genre. As much as I would like to get into vinyl, its audience makes it near impossible for you to want to honestly like it. They WANT to be their own special club, and it's a damn shame they got their way.

I thought Hipster Garbage was just everything that isn't an action figure? At least that's what I got the only times I've ever heard it used. Honestly I find the people that use terminology like that to be bigger pretentious dillweeds than the people they accuse of liking "hipster crap"[/quote]

No, Hipster Garbage usually means vinyl figures only. This is due to the fact that the people who exclusively collect limited vinyl tend to be hipster scum that only other hipsters can stand to be around.

And in terms of the limited thing, I admit I DO get a certain joy from owning rare figures few others have (in particular the red and white Kaitendoh Ymirs) but it's more a happiness that I was able to obtain one. I prefer larger runs, because it gives people who genuinely want a figure a better chance of getting one.
So when you look at the the "rare" stuff at shops like Mandarake or the case @ Yodabashi camera, you guys dont drool over the fact that they are unobtainable?


Many old anime goods that have been lost or eaten by my dog I still pine over, and would pay a lot of price to replace.

setimentality is dangerous
So when you look at the the "rare" stuff at shops like Mandarake or the case @ Yodabashi camera, you guys dont drool over the fact that they are unobtainable?


Unobtainability annoys me rather than intrigues me. It means higher prices. Higher prices means fewer things I can own. Fewer things I can own means Scarecroodle isn't as happy.
I have to agree with Scarecroodle and Chris (if I may take the liberty to not include your full name). "Unobtainable" does not equal "valuable" to me on any level. But I'm sort of background-involved in the beta and unreleased games community and... that is some scary shit right there. Wave the possibility of a previously unobtainable beta version of certain games in people's faces and watch the internet explode.
Where was this taken??
I kinda waiver in between, if it's something i really want, than i might actually pay up for a limited item. I find that the limited/exclusives to be annoying and frustrating as i have to go through things such as middlemen, conventions, or lottery events in order to obtain it. For companies it is a good ploy that they do something like this since it ensures that they actually sell the entire stock of what they created, but sometimes it's a flop. Although it is good that they are able to sell out, what then after they sell out? All those exclusives and limited runs are no longer in their possession to make a profit anymore, and with that, the profit is made to those who managed to obtain one and sell it at a higher price due to demand (scalpers perhaps). Generally I have to have that specific item, and i am unable to obtain it, then i'm usually upset, but not for long. I have to realize that if it was meant to be in my collection, then i get it eventually, which usually doesn't mean now. It's not like i'm amassing a collection over a short period of time, i want to have some down time in between each figure, pvc, or vinyl i get in order to appreciate each one before i can move onto something that i want on my list.
[quote]I hate limited items! Being someone who doesn't have a way to get things other than ordering them online, I don't like getting my hopes up thinking I'm going to get something only to find out I'm number 201, and me owning this piece will never come to pass.

I've been thinking of getting into vinyl- I find Dunnys to be just... Super adorable, and I'd love to own a small collection of them. But if I'm going to get them, chances are, I'm going to stick to just buying blind box and being satisfied with what I get. I'm not getting into the game of worrying about owning a certain thing- and since I'm already not that concerned with it and more into my PVC collection anyway, then, it probably shouldn't be too hard.

I still want a Happy Labbit with the popsicle in its mouth, though. I wanted to assure I got that very one so I checked on eBay and indeed I would pay double the price to get it... But I don't want to take chances getting one I won't like... Augh, blind boxing can be a hassle too, it seems.[/quote]

Do you mean the Labbit with a pink colored popsicle? If so i know that a local bookstore has a bunch of them around. Personally i like the hotdog XD
[quote]I just grab things that I love when I can afford them. There have been limited run vinyl stuff that I've loved, but just never enough to try and go after them yet, I guess. I think my biggest accomplishment will always be my (once) factory-sealed 30/30 (from the Bravestarr cartoon... which wasn't very good, but 30/30 was awesome). Extremely rare, low production numbers... because no one wanted him. So 20 years later I picked him up, perfectly mint in a perfectly mint box, for $19.99. Did I want him because he was rare? Of course not. In fact, it annoyed me greatly and convinced me that I would never be able to afford him--particularly when someone at Botcon said he'd never seen on "in the wild". I was quite delighted, to put it lightly.

Er, there was a message here somewhere... It got lost, a bit. I don't particularly like the idea of limited runs for the sake of it, is what I was trying to say. Sometimes there are aspects that force it to happen, such as just plain not being wanted until 20 years later, or an artist doing a limited run because they kind of have to. Otherwise... I don't know, whatever people want, I guess. All I can say is how excessively annoyed I am that it took me so long to track down a legit Static Arts Sebastian Michaelis.[/quote]


Haha, I only majorly lucked out that I found a Sebastian for sale at Mandarake the first time I checked out the place. XD I'm having a pain in the ass of a time trying to find a legit Static Arts Ciel to complete the set, though! *preordered pink-dress Ciel, though!* XD

But I'm with most people here - while I understand that keeping figures completely open in availability can have its share of problems (mainly, companies not being able to sell everything they make), super-limited runs baffle me and seem totally pointless. I can pretty much understand it from doujinshi fandom due to the legal issues in that particular hobby, but not from (most of) the figure community. :\
All types of collectors have their own point of views based on what they collect. Whether it is 'urban' vinyl, japanese toys, etc. And I know alot of people collect based on their limitedness or attainability. I collect what I like regardless of the fact. A limited dunny, a large mass produced run of stormtroopers, it makes no difference as long as it is what I collect. The only thing that comes on peoples minds at times is how much is made. Sometimes it's better off not even releasing production runs and then everyone can assume themselves whether an item is limited or not.

Of course in my opinion, you leave out a the fact of the company producing the collectible product. If you take Mattel, Hasbro or any large company, they have the resources to produce high runs and products because they have the financial ability to do so. They can let their product sit on the shelf and discount their items. Whereas some of the vinyl toy companies don't have the large budgets to make higher runs and can't afford to have the product sitting on the shelves. The smaller companies make their money on the initial sales and then it is off to the next possible production. That's why lower production numbers exist because they can't afford to make more or don't have the wiggle room to do it.
>>However, the perspective of most of the artists and collectors in The Vinyl Frontier was the exact opposite. They liked limited. In fact, many explicitly stated that they wanted limited figures.

Is this mentality widespread through vinyl fans or just a subset? Would casual vinyl fans consider being featured and interviewed for a film or would they give it a miss?

Rarity isn't a special selling point for me. The larger and more open a release, the more I like it. I'm glad that limited bjds now tend to be divvied up through lottery or pre-order periods. The old style of hammering F5 waiting for the products go up sounds stressful and impossible - getting on the Net at odd times 'cause you're in a different timezone, grinding your teeth as the site slows to a crawl, hoping it doesn't crash, that your computer's up to it. No thanks.
Wow, I must have been on that street a million times and I had no idea Kidrobot was there.
My collector mentality goes pretty much as follows: it's there, I want it, I can afford it, I shall have it...


lol. Your thought process is similar to mine. Do I like it? Do I want it? Can/Will I pay for it? Rarity doesn't mean much to me unless it prevents me from getting what I want; then I hates it.
Wow these kind of collectors sure sound like arrogant jerks... I really can't understand that childish attitude of shoving on other's faces the items they don't have... that more than a community sounds like a hostility brewing situation.

Personally it doesn't matter if a figure is limited or not; I like what I like regardless of that. I have 500 yen figures and 15000 yes ones; they're all dear to me. I'm a lot happier to know another person who loves a character got the same figure I have, because I know the character is getting a lot of love. I'm also a lot happier to know a figure has a larger production because:
1- more people who actually love the figure can get it
2- less opportunistic jerks hoarding the figures and selling them for thrice the price in ebay.

Another Kaito release please.


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