If everyone has the same stuff it's just not as fun to look af each others collection or post images online or even have blogs like this. Rarity makes it something to covet and swoon over. And the act of owning or finding it is like tagging the hone coming queen.
I've been thinking of getting into vinyl- I find Dunnys to be just... Super adorable, and I'd love to own a small collection of them. But if I'm going to get them, chances are, I'm going to stick to just buying blind box and being satisfied with what I get. I'm not getting into the game of worrying about owning a certain thing- and since I'm already not that concerned with it and more into my PVC collection anyway, then, it probably shouldn't be too hard.
I still want a Happy Labbit with the popsicle in its mouth, though. I wanted to assure I got that very one so I checked on eBay and indeed I would pay double the price to get it... But I don't want to take chances getting one I won't like... Augh, blind boxing can be a hassle too, it seems.
If everyone has the same stuff it's just not as fun to look af each others collection or post images online or even have blogs like this. Rarity makes it something to covet and swoon over. And the act of owning or finding it is like tagging the hone coming queen.[/quote]
Derp, that's actually completely different than how I feel. Maybe I'm the freak of nature, here, but I just get jealous and resentful when I see people lording their collections over me when mine is so... Meager. I love my collection to bits, but seeing things I don't have but want, and having people say 'look what I have and you don't!' is spirit-breaking for me. Limited means I can never ever experience the joy you are experiencing with your figures. And in the end, isn't that better than "there were only 200 of this made and I have number 156, suck it?" It is to me.
I want people to be able to experience the same happiness I feel when I look at my collection... I'm not saying we should be able to get whatever we want, when we want, and I do think that making things completely un-limited or taking away limited quantities at all wouldn't ruin some of the fun in the hunt, but... At the end of the day, sharing the happiness to me is better than lording my ownership over someone else.
PVC is a really good example of how non-exclusive items do make collections more varied. If you look on MFC there are indeed figures that almost everyone has (like BRS!), but it is nearly impossible to find someone who has even 50% of the same items as you. Because everything (well almost everything) is available in larger numbers, people are able to pick and choose a lot more. Of course vinyl is a much smaller group (in part due to its limited nature) so I am not entirely sure if it would work the same way! ^^
It is a view of people whom i have known who are part of the art community and having private showings where only selected are invited to both view and buy there art. This way it also increases the 'artists' stock to say that these group of individuals are buyers of there work.
If they are worried about what makes an item valuable, for most what makes a certain item valuable is more its appeal rather than its availability, while yes availability has it's play. We all know of that PVC was 'mass produced' but we missed on the pre-order and then at a convention or on eBay, we find that it now goes for double or even more of its cost. If people want it and regardless of the numbers, price will increase.
As closing, because i don't know how to close it, thanks for the article. I hope somehow i will be able to get to see the Vinyl Frontier down under. Looks to be a most fascinating watch.
but for anime character goods especially old ones.
which are rare due to their age and function
finding a rare figure or seeing one at a friends house is a real treat!
or seeing someone post images on web sites of their displays of figures i dont have is really a lot of fun to me
The problem is, there were many sellers that bought many of them so they could resell them, so that's why he got sold out so fast. It isn't GSC's fault, really - I'm pretty sure their production was indeed good enough for the demand. If you look at Y!J Auctions you'll see that at least his auction price has gone down.
I don't really mind limiteds on the PVC world, since they're almost always just different colorways and even then their run is quite big. But the limited runs on the vinyl world are just ridiculous. A limited run of 200 items is understandable if you're a small artist and this is all you can offer, but this isn't the case most of the times. =/
With art, it's a celebrated piece of single perfection. To create more loses that perfection. Even though we're talking about vinyl toys, to its community, its art. The art world doesn't intend for everyone to collect its entirety of beauty. Same thing with vinyl as its scene is so deeply rooted in art collecting. Sure, you could have an amazing painting, but to its community and critics, unless its unique, it's crap.
The vinyl community as a whole was never interested in seeing itself expand. It wants to be a niche, super special club. The Taco Bell BellHeadz incident proved that. While it does suck that you may not get the piece that you want, that's the nature of the community. If art is mass-produced, its decried as fake art, as if it has to lose its identity to do so. Unfortunately, the same goes for vinyl.
There's a reason why vinyl has become associated with the term "Hipster Garbage." To be hipster is counter-culture, "if its popular, woe is me for I can no longer like it." To outsiders, it's arrogant and puts people off to the whole genre. As much as I would like to get into vinyl, its audience makes it near impossible for you to want to honestly like it. They WANT to be their own special club, and it's a damn shame they got their way.
I've never really paid much attention to runs. They usually don't really mean anything, as the items are generally available anyway. Although I somewhat care for things if they're rarer, it's usually not just because they're rare. And although I do somtimes get annoyed at re-issued items, it's usually cases where I ended up having to pay a ton for them back before the reissue.
Most of the sameness amount Western collections is just because people end up buying so much. If everybody buys a ton, there's bound to be a lot of overlap. Plus, as others have already pointed out, if everything ever was completely available peoples' collections would probably look the most different although most people would have a few key items in common.
I think that the vinyl community is not as arrogant as many people think it is. The "hipster bullshit" thing comes from their mentality, yes, but it is actually quite an open community. I ended up being a part of it very quickly, and not because I had rare figures or anything. While I do think the mentality is wrong, there are some truly amazing people in the vinyl community.
As for Japanese figures, I see no reason for them to make limited runs of items that they know are going to be in-demand (say, Momohime or Black*Rock Shooter). If they're not sure how well items are going to sell (say, Nendoroid Usacots or Figuarts N Daguba Zeba), they should do a smaller run at first, then reissue it if there's sufficient demand.
Er, there was a message here somewhere... It got lost, a bit. I don't particularly like the idea of limited runs for the sake of it, is what I was trying to say. Sometimes there are aspects that force it to happen, such as just plain not being wanted until 20 years later, or an artist doing a limited run because they kind of have to. Otherwise... I don't know, whatever people want, I guess. All I can say is how excessively annoyed I am that it took me so long to track down a legit Static Arts Sebastian Michaelis.
There's a reason why vinyl has become associated with the term "Hipster Garbage." To be hipster is counter-culture, "if its popular, woe is me for I can no longer like it." To outsiders, it's arrogant and puts people off to the whole genre. As much as I would like to get into vinyl, its audience makes it near impossible for you to want to honestly like it. They WANT to be their own special club, and it's a damn shame they got their way.
I thought Hipster Garbage was just everything that isn't an action figure? At least that's what I got the only times I've ever heard it used. Honestly I find the people that use terminology like that to be bigger pretentious dillweeds than the people they accuse of liking "hipster crap"[/quote]
No, Hipster Garbage usually means vinyl figures only. This is due to the fact that the people who exclusively collect limited vinyl tend to be hipster scum that only other hipsters can stand to be around.
And in terms of the limited thing, I admit I DO get a certain joy from owning rare figures few others have (in particular the red and white Kaitendoh Ymirs) but it's more a happiness that I was able to obtain one. I prefer larger runs, because it gives people who genuinely want a figure a better chance of getting one.
Many old anime goods that have been lost or eaten by my dog I still pine over, and would pay a lot of price to replace.
setimentality is dangerous
So when you look at the the "rare" stuff at shops like Mandarake or the case @ Yodabashi camera, you guys dont drool over the fact that they are unobtainable?
Unobtainability annoys me rather than intrigues me. It means higher prices. Higher prices means fewer things I can own. Fewer things I can own means Scarecroodle isn't as happy.
I've been thinking of getting into vinyl- I find Dunnys to be just... Super adorable, and I'd love to own a small collection of them. But if I'm going to get them, chances are, I'm going to stick to just buying blind box and being satisfied with what I get. I'm not getting into the game of worrying about owning a certain thing- and since I'm already not that concerned with it and more into my PVC collection anyway, then, it probably shouldn't be too hard.
I still want a Happy Labbit with the popsicle in its mouth, though. I wanted to assure I got that very one so I checked on eBay and indeed I would pay double the price to get it... But I don't want to take chances getting one I won't like... Augh, blind boxing can be a hassle too, it seems.[/quote]
Do you mean the Labbit with a pink colored popsicle? If so i know that a local bookstore has a bunch of them around. Personally i like the hotdog XD
Er, there was a message here somewhere... It got lost, a bit. I don't particularly like the idea of limited runs for the sake of it, is what I was trying to say. Sometimes there are aspects that force it to happen, such as just plain not being wanted until 20 years later, or an artist doing a limited run because they kind of have to. Otherwise... I don't know, whatever people want, I guess. All I can say is how excessively annoyed I am that it took me so long to track down a legit Static Arts Sebastian Michaelis.[/quote]
Haha, I only majorly lucked out that I found a Sebastian for sale at Mandarake the first time I checked out the place. XD I'm having a pain in the ass of a time trying to find a legit Static Arts Ciel to complete the set, though! *preordered pink-dress Ciel, though!* XD
But I'm with most people here - while I understand that keeping figures completely open in availability can have its share of problems (mainly, companies not being able to sell everything they make), super-limited runs baffle me and seem totally pointless. I can pretty much understand it from doujinshi fandom due to the legal issues in that particular hobby, but not from (most of) the figure community. :\
Of course in my opinion, you leave out a the fact of the company producing the collectible product. If you take Mattel, Hasbro or any large company, they have the resources to produce high runs and products because they have the financial ability to do so. They can let their product sit on the shelf and discount their items. Whereas some of the vinyl toy companies don't have the large budgets to make higher runs and can't afford to have the product sitting on the shelves. The smaller companies make their money on the initial sales and then it is off to the next possible production. That's why lower production numbers exist because they can't afford to make more or don't have the wiggle room to do it.
Is this mentality widespread through vinyl fans or just a subset? Would casual vinyl fans consider being featured and interviewed for a film or would they give it a miss?
Rarity isn't a special selling point for me. The larger and more open a release, the more I like it. I'm glad that limited bjds now tend to be divvied up through lottery or pre-order periods. The old style of hammering F5 waiting for the products go up sounds stressful and impossible - getting on the Net at odd times 'cause you're in a different timezone, grinding your teeth as the site slows to a crawl, hoping it doesn't crash, that your computer's up to it. No thanks.
My collector mentality goes pretty much as follows: it's there, I want it, I can afford it, I shall have it...
lol. Your thought process is similar to mine. Do I like it? Do I want it? Can/Will I pay for it? Rarity doesn't mean much to me unless it prevents me from getting what I want; then I hates it.
Personally it doesn't matter if a figure is limited or not; I like what I like regardless of that. I have 500 yen figures and 15000 yes ones; they're all dear to me. I'm a lot happier to know another person who loves a character got the same figure I have, because I know the character is getting a lot of love. I'm also a lot happier to know a figure has a larger production because:
1- more people who actually love the figure can get it
2- less opportunistic jerks hoarding the figures and selling them for thrice the price in ebay.
Another Kaito release please.

Sharkchild's Gravescab plushes
FFXIII-2 Lightning Play Arts Kai
DC Comics Bishoujo Poison Ivy
Marvel x Bishoujo Mystique
S.H. Figuarts Super Saiyan Vegeta
Alter's 1/7-scale Black Hanekawa
Good Smile Company's 1/8 Nadeko
Max Factory's 1/7-scale Azusa Nakano
Alter's 1/8-scale Minna-Dietlinde Wilcke
DX Gojyujin by Bandai
Max Factory's Hirasawa Yui (Santa ver.)
FREEing's 1/8-scale Ryouko Ookami
CM's Corporation's Arale Norimaki
Toy'sworks Niitengo Key Memorial set
Cospa's Resinya! 1/8-scale Kirino
Medicom's Kyubey plush
Kotobukiya's 1/8-scale Melty
Sega Prize Kirino Kousaka, Irony ver.
Sega's Panty & Stocking prize figures
figma Append Miku by Max Factory


Tomocast 34: Dragon Ball Z records tonight



12:00 PM on 08.29.2010
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